It comes as no surprise that these three breeze through this session, no matter how weighty
or feather-light the musical situation might be. Being at a complete ease and free from
dogmatic rules about what one does and does not do in the area of free improvisation makes
this compact unit robust and agile at once. The choice of the musical means runs effortlessly the
gamut, from "scratch and sniff" esthetics to the healthy red-cheeked jazz and blues vocabulary,
with lush romanticism, playful anarchy and many more stops in between.All of it deployed not
to show off the considerable prowess of each musician, but to follow the unified sense for
the "appropriate" dramaturgical development of the material; material that can be formulated
and introduced by each of the three members of this gentle triumvirate.
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